Sunday, November 27, 2011

101 Ultralight Backpacking Tips

!±8± 101 Ultralight Backpacking Tips

An ultralight backpack means more fun. Enjoy floating down the trail instead of hauling heavy gear. You can have an ultralight backpack if you mercilessly analyze every piece of gear in your pack. Here are 201 tips to consider for reducing the weight of your pack. Some are big, some are small. That's part of the secret. Small things add up. The old and obvious are mentioned because they are some of the most important. Have fun being a fanatic. If your friends make negative comments, invite them to lift your pack and compare it to theirs. Think of these tips as a buffet, and take what you like:

1. Buy a digital scale. You can find a good one that measures down to 1/10 ounce for about . You'll be surprised at the weights of some items. You can take your light, portable scale into stores and make wise decisions before you buy. Do not fear sales people with little or no knowledge of the backpacking gear they're selling. You're now in control. Let them fear you.

2. Remove the excess weight from your body. Losing those unwanted pounds is probably the best weight reduction you can make. It doesn't involve leaving any of your favorite equipment home. You'll feel better, and there's a net gain in strength and endurance.

3. It needs to be mentioned at least once. If you don't need it, leave it home.

4. Avoid last-minute packing. If you hurry and pack at the last minute, you're more likely to throw in things like extra clothing you don't need.

5. If you're backpacking with a companion, plan ahead and share the weight of the gear such as the tent and cooking gear.

6. Develop your sewing skills. Be creative. Some of the best, and most inexpensive, ultralight backpacking gear is the kind you make yourself.

Pack

7. Purchase a light backpack. Your pack is one of the best places to lighten up. You'll need to reduce the volume and weight of every piece of gear to use the lightest pack. Your final result can be a pack that weighs less than 2 pounds. That's a savings of more than 5 pounds over the big "load monster" packs.

8. Don't buy a pack with too much capacity. You'll be too tempted to fill it, and it won't handle as smoothly if it's partially filled.

9. Try using your pack without the hip belt. You might like it better.

10. Remove your pack's sternum strap if you don't use it.

11. Remove any manufacturer tags from the bag. In fact, remove tags from all your gear, including clothing. Save the care instructions from the clothing if you can't remember how they're to be washed.

12. Cut some of the length from the waist belt and straps on the pack. Remember to leave them long enough for when you're wearing your bulkiest clothing.

13. If the pack has aluminum stays, or some other reinforcing material that can be removed, try carrying the pack without it. The really light pack you end up with shouldn't need reinforcing. Think positively from the outset.

14. If your pack has large buckles or cord locks, find a way to replace them with lighter ones.

15. Don't worry too much about the lighter materials in ultralight packs. These materials are still very strong. You can make repairs that are lighter than tape by using McNett Seam Grip. It works for sleeping bags, tents, and other gear, too.

16. If you need a pack cover, use one that's very light, like the ones that are made from 1.3 ounce silicone-coated nylon. Or, use a lightweight garbage bag. Or, spray your pack with a waterproof coating. Your pack may already be waterproof. Check the manufacturer's specifications. You might be able to save the weight of a pack cover.

17. Ultralight compression stuff sacks can help you reduce the volume of your gear. You may be able to lower your overall weight by using compression bags because you end up with a smaller pack.

Sleeping Gear

18. Buy a sleeping bag that isn't "overkill." It's surprising how many people buy a sleeping bag for low temperatures and then use the bag for summer camping 95% of the time.

19. Use a down bag. Nothing is more efficient for the weight. Don't worry too much about the down getting wet and losing its efficiency. High quality bags are made with shell fabrics that have a very tight weave and are very water repellent, so they tend to protect the down. The down itself has natural oils in it. It works for the geese. Use your skills to keep your bag dry. Keep it in a waterproof stuff sack.

20. Have a small towel handy to wipe any condensation from tent walls. That will help your ultralight sleeping bag perform to its maximum.

21. A piece of very light and thin painter's tarp plastic or a light trash bag can be used to keep condensation off the foot of your sleeping bag. The plastic or trash bag can have multiple uses such as keeping gear dry.

22. With a lightweight bag you can always add layers of clothing for extra warmth.

23. You can also use a silk liner that adds warmth and weighs as little as 4 ounces.

24. Switch your stuff sack for an ultralight one that's made of 1.3 oz. silicone-coated nylon. They weigh as little as .6 ounces.

25. Keep your sleeping bag clean. That will keep the efficiency high.

26. Keep your sleeping bag in a large storage bag when it's at home so it will retain its full loft and maximum efficiency.

27. Air out your bag during lunch and as quickly as possible after you set up camp. Moisture can evaporate and the bag can fully loft.

28. Eat and drink before going to bed. That will help your body to efficiently heat your sleeping bag.

29. If your feet get a little cool, you can use things as light as plastic newspaper bags or grocery sacks to keep them warm. You can use the bags for dual purpose tasks, and they add hardly any weight. They can also be used for bringing wet gear and boots into the tent. The sleeping bag stuff sack can be used as a foot warmer.

30. Using an ultralight air mattress can reduce your pack weight and volume and increase your comfort. They can be as light as about 20 ounces for a full-length mattress.

31. You can have an air mattress with insulation in the tubes for only about 1 ounce more.

32. Leave any inflatable sleeping pad open as much as possible so the condensation inside will evaporate.

33. A closed-cell foam pad is light and easy to use. You can even cut away areas that you don't need to save a few ounces.

34. The lightest air mattress available is called a balloon bed. No joke. The shell can be made from 1.3 oz. (or lighter) silicone-coated ripstop nylon. Sew 7 tubes (or more or less) into the 60" long fabric. Leave the ends open for inserting and removing the balloons. Insert Qualatex 60" balloons (model 260Q) because they're the strongest. Use clear or white since they're stronger than colored ones. The balloon bed can weigh less than 4 ounces. A pump can weigh 1.3 or 2.2 oz. Each night you'll need to use new balloons, so figure 8 per night. Eight balloons weigh .4 ounces. This figures one for breakage. They don't pop when you lay on them, but may pop when you tie them off. See more at balloonbed.com. Or make your own and get balloons and a pump at tmyers.com, larocksmagic.com, or others.

35. You can go crazy and use bubble wrap for your sleeping pad if you don't need too much insulation or cushion. It'll weigh about 4 ounces. There's a variety that's made with some nylon that is much stronger than the cheapest kind, but the bubbles still pop when you concentrate your knees or elbows directly on a small area.

36. Ultralight backpackers have come up with a lot of ideas for lightweight pillows. One of the most common is using your extra clothing for a pillow. One place to contain the clothing is in your sleeping bag stuff sack.

37. When you pack ultralight, you often don't have much in the way of extra clothing. Some hikers use their pack for a pillow. It solves a second challenge of where to put your pack in the tent.

38. A small piece of foam with some of your gear underneath can serve as a pillow.

39. At .4 oz. you can get a pillow at Office Depot. It's a 10 x 12" air wrap plastic packing "bubble" that you can blow up and deflate with a straw.

Shelter

40. You can save a lot of weight by choosing an ultralight tent that weighs two to three pounds for the two-person tent, or less than two pounds for a one-person tent.

41. If you usually backpack with a companion, consider buying a one-person tent for those times you go solo.

42. If you already use hiking poles, you can save the weight of tent poles on some tents.

43. If you have an old tent you'd like to keep, you can save weight by replacing the poles with lighter carbon fiber poles.

44. If you have an old tent that you like which has a fly, you can save weight by using the old fly as a pattern and sewing a new fly from 1.3 oz. silicone-coated nylon.

45. You can save weight by using titanium tent stakes. The 6" titanium stakes are just .2 ounces each.

46. Save weight by leaving stuff sacks home. A few rubber bands around your tent are lighter than the stuff sack. Put rubber bands around the titanium stakes and band them to the poles to keep the stakes from poking holes in anything.

47. In some dry regions, you may be able to use a bivy sack or sleeping bag cover as your only shelter.

48. If you need bug protection only, the pop-up bug bivies weigh only 6.5 ounces.

49. For an even lighter solution to bugs, a square yard of no-see-um netting weighs less than an ounce.

50. Simple, lightweight tarps can reduce your shelter weight to a pound or less.

51. If you use a bivy, tarp, or poncho/bivy, you may want to have a mosquito head net to keep the bugs away. Of course, these can be used during the day, too. They weigh only .6 oz.

52. Some tarps serve a dual purpose by doubling as your poncho, too.

53. Creative cord tying from a tree or using an available stick with some tarps and tents can save the entire weight of poles.

54. The lightest ground cloth is the one you don't take. Use caution when you set up your tent so you don't need a ground cloth.

55. If you use a ground cloth, use one that's a light as possible. An ultra-thin 99-cent plastic painter's cloth is a light disposable option. Some people like Tyvek. Consider using 1.3 oz. silicone-coated nylon for your ground cloth.

56. If you use a ground cloth, be sure to trim it a couple of inches smaller than your tent. If it's bigger than your tent, you can catch unwanted rain and funnel it under you.

57. Consider hammock camping. Hammocks can be as light as about 2 pounds, and there are some great advantages like being able to set up on uneven ground.

58. If you have a tent with a fly, you may be able to set it up with the poles and fly only, especially in late summer when there are fewer mosquitoes.

59. You can more effectively use tent options without netting if you repel insects by adding permethrin to your tent.

60. Shake the water from your tent before packing it on a damp morning. Let the moisture drain off while the tent is on a rock or tree.

Clothing

61. Long-term weather reports from the internet can cut ounces from you pack. In dry weather you can leave some of the rain gear home. In warm weather you can leave some insulating layers home.

62. You can shave ounces by making some last-minute decisions about whether to carry things like rain pants. If the weather and conditions look good, you can leave items in the car.

63. If the weather is warm enough, some hikers like to leave the rain pants home anyway. Your legs will get wet, but they won't be trapped inside sweaty rain pants.

64. Your rain pants can be lighter than 4 ounces if you use "chaps" that cover your legs but are open at the midsection.

65. Rain gear can weigh less than 10 ounces for top and bottom if you use the very lightest and most simple varieties. We've already mentioned combination poncho/tarps if you want a piece of gear that serves as shelter and rain gear.

66. One of the best lightweight clothing rules is "no multiples." If you have one pair of pants, running shorts and/or rain gear are enough backup.

67. One very light short sleeve shirt and one long-sleeve shirt should be enough.

68. Avoid cotton. It doesn't dry as quickly, so it could be dangerous. And even if it's not dangerous, it'll be heavier when it's wet because the water weight won't dry as quickly as other fabrics.

69. Very light synthetic materials and silk may allow you to leave heavier, bulkier fleece at home. A couple of silk layers under your rain gear may be enough for summer hikes. That's a total of less than 6 ounces for 2 shirts.

70. Never wear jeans. They weigh about 1 ½ pounds and don't dry well. Lightweight nylon outdoor pants can weigh as little as 8 ounces.

71. If you need more insulation, there are ultralight jackets made with down that weigh less than 8 ounces, about the weight of a T-shirt.

72. You can save a lot of weight by using running shorts that weigh around 3 ounces instead of heavier cargo shorts.

73. Leather belts can be quite heavy. Look for a light belt. A lightweight nylon accessory strap with a quick-release buckle works well.

74. Using silk can cut the weight and bulk of your underwear in half.

75. A lightweight watch cap (beanie or lightweight stocking cap) can weigh as little as an ounce. It's great for extra warmth during the day or while you're sleeping.

76. A full-brimmed hat for storm protection that's made from silicone-coated nylon weighs as little as 1.2 ounces.

77. A baseball-type hat from lightweight ripstop nylon for sun protection can weigh less than an ounce.

78. A painter's cap will give you cheap, light protection from the sun. They weigh about 1.3 ounces.

79. If a hat is too hot for you, use a visor to be cooler and lighter. Visors vary a lot in weight, so use a digital scale to find the lightest one.

80. Lightweight polypropylene gloves that weigh an ounce will give you some warmth.

81. You can use your extra socks as gloves, or for added warmth over light gloves.

82. Those plastic newspaper or grocery bags that we used for keeping your feet warm at night can be used to keep your hands dry.

83. Socks that are warm, comfortable, and help you avoid blisters are vital. Don't try to go too thin and light if you tend to blister. But many popular styles come in various heights. So a shorter, lighter sock might give you the same function.

84. One of the best ways to save clothing weight is to use running shoes instead of hiking boots. The old saying of one pound on your feet being equal to five pounds in your pack is true. You lift your shoes with every step, so why not lift something light and comfortable?

85. Shoe laces that come with your running shoes are often too long. They catch on the little twigs along the trail. You might as well cut them off and save the weight. Burn the ends so they don't unravel.

Cooking

86. Keep your cooking gear light by using a kettle only. You can save more than half the weight of the cooking kit by leaving the plate and fry pan home. The ¾ quart kettle by itself weighs less than 5 ounces.

87. With titanium, your kettle can weigh under 4 ounces.

88. Stainless steel is heavy. Avoid it. Non-stick coatings make a kettle heavier than one without it. Decide whether the weight of the non-stick surface is worth it for you.

89. For your cup, use the plastic kind that have measuring marks inside. They're four times lighter than a sierra cup.

90. Try using a lexan spoon only. You probably don't need a fork. For cutting food you can use your pocket knife. File some of the excess weight from the handle of your spoon. Have some fun being a fanatic. Drill some holes in the handle.

91. Some hikers like a long Dairy Queen spoon because it can reach all the way into foil pouches and zip lock bags. Be ready to use some emergency chopsticks if the spoon breaks. Some people like chopsticks anyway.

92. Blacken the bottom of your kettle to cook faster and conserve fuel. If your kettle won't do this naturally, use heat-resistant paint, the kind you use to paint barbeques and wood stoves.

93. Keep the lid for your kettle. You'll save its weight by using less fuel.

94. Use a windscreen so you conserve and carry less fuel. You can probably use something that's already in your pack so there's no weight added. Or use something very light, like aluminum foil.

95. Use your digital scale to know the weight of a full and empty fuel canister if you use butane/propane. It's surprising how far a small can will go. You can learn when to leave a full 7-ounce canister home.

96. For a scouring pad, keep it simple and cut it down to a very small size. Or, better yet, don't take one at all. They tend to become bacteria magnets. Use goats beard -- the stuff that's attached to tree bark. Or use pine cones or sand.

97. You may need a towel to handle your hot kettle. Keep one small piece of a rayon camper's towel for kitchen use and one for your body.

98. The lighter, thinner towels you can find in grocery stores are even lighter than a rayon camper's towel. These work well on your body because they can rinse so easily for washing up.

99. There are two main types of ultralight stoves. Titanium stoves that burn butane/propane fuel can be as light as 2 ½ ounces. Their small fuel canisters are 7 ounces. Or you can choose a soda can style stove that burns denatured alcohol. These can be lighter than 2 ounces. Their fuel is readily available and can be carried in very light containers.

100. Fiberglass is often used as a wicking agent in the soda can stoves. The thin fiberglass within foil can be used to hold hot stoves or kettles and can be used to hold heat in your kettle.

101. The lightest water container is a plastic soda, water, or Gatorade bottle. Of course, you'll want to remove that heavy label.


101 Ultralight Backpacking Tips

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Thursday, November 24, 2011

A Mid-Life Transformation - From Soccer Mom to Cowgirl!

!±8± A Mid-Life Transformation - From Soccer Mom to Cowgirl!

When I was a litigation attorney and the mother of three young boys, I'd often go to sleep with a vague sense of anxiety and wake with a knot in my stomach. Like so many professional women, my days consisted of running around in uncomfortable clothes screaming at other drivers while making carpooling arrangements for a soccer game on my cell phone. Just so you get the full picture, I lived in New Jersey.

Alas, in my profession there was also a lot of yelling - I was routinely subjected to tirades from clients who wanted "justice," senior partners who wanted more money, and frustrated judges. Then I'd go home to an unhappy husband and three hungry kids.

By the age of 40, I couldn't believe how my life had turned out.

Something had gotten away from me. In high school and college I was a free-spirited athlete, strong and funny, a minimalist woman who could live out of a backpack. Ten years later I was mortgaged, obligated, and stuck. But don't cry for me, dear reader, because alleluia, I am stuck no more. Now, I'm a cowgirl.

The journey from attorney and soccer mom to horse wrangler was a wild one but my story's ending here at a ranch in Colorado had been written by forces much bigger than this little Italian girl from Philly. It was inevitable that I'd end up in blue jeans, knee-high in horse poop, going for days without a shower when I live outdoors. I had never even been to the Rocky Mountains but they sure visited me on a regular basis. Due to marriage and other compromising life circumstances, though, I was about as far from the minimalist mountain life as I could imagine. Living in New Jersey, working as a lawyer, always a little lost, and unhappy.

After sixteen years of litigation I had nothing left. Suffering classic symptoms of burn out - insomnia, depression, distracted thinking - it became more difficult for me to plug on. I was a good lawyer; my clients loved me and that was mutual, but the system is a rather huge, bureaucratic, and hopeless morass mainly bent on enriching attorneys. I found myself feeding people into a machine over which I had no control, and one which would ultimately deplete them. So onerous was the litigation process and so unpredictable that I initiated each client meeting with a "Get Some Religion" lecture:

"Forget 'justice' or revenge," I'd say, "You're not going to feel better when this is over. You won't be vindicated, just exhausted. But there's a chance I can get you some money."

When I was defending someone who had been sued the lecture was even bleaker:

"You probably haven't done anything wrong. That doesn't really matter," my client's face would be grim. "We can try and settle quickly but you might want to take wads of cash and throw them out the window because it's the same result. This process is really costly."

That was it, that was all I had to give and it was a gruesomely realistic picture.

The last law firm I worked for started to go under financially and each day there was the sort of panic in the air you sense with any sinking ship. Employees spent most of their time looking for other jobs, and pilfering supplies while partners screamed at secretaries to recycle envelopes.

The handwriting, you might say, was on the wall writ pretty large. Twenty years earlier, on graduating from college I taught seventh grade and after listening to my adversaries throw temper tantrums for two decades, I knew I was ready to take on high school kids. As it happened there was a mid-year job opening for an English teacher at a local school. I took a 50% salary cut, and jumped at the opportunity to ditch lawyering. When interviewed by the school board, I was asked why I would leave law to teach high school:

"Take your worst teenagers," I replied without hesitation, "Dress then in suits and give them power. Put them in a room and tell them whoever yells longest and loudest wins. That's what it's like to practice law."

I loved teaching high school, and the income loss was seamless. I had practiced law on "The Mommy Track" for many years, working part-time or 80% time, declining assignments that involved travel and long hours. Using a strategy that confounded my peers, I insisted on keeping my lawyer salary on par with a teacher's, so that I could always make a lateral move. By the time I left law I was being paid more than I wanted or needed. I was in the process of getting divorced for the second time, my personal life being as chaotic as my inner energy, and I had learned to live frugally if nothing else.

Boy, did I love teaching high school. The kids were funny, willing, frightened and my English class was often a love-fest. Though I taught literature, there was music in my classroom, and food was always available for the ravenous teenager. Opening up to me, their writing was often stunning and rich. It was difficult to engage the modern teenager in most required works, however, like Beowulf or The Scarlet Letter. My lesson planning took hours and I always had stacks of essays to read each night. I was up at 5:00 a.m. and coached sports so I was rarely home before six o'clock. I never worked so hard in my life.

Aside from the grueling workload, I found the system so restrictive I could hardly fathom how kids and teachers survived it. I taught 110 teenagers a day, and they were in and out every forty-three minutes. There was barely a breather to go to the bathroom and class time was either too long or too short, depending on the character or mood of each day. A standard public school curriculum does not allow for a lot of creativity and the kids were bored and restless with the antiquated works they often had to read (but rarely did). After a year and a half of teaching, I woke up one June morning and said,

"I just can't do this for another year."

I quit that job on July 1, 2004. At the time, I had a publishing contract to write a non-fiction book about exercise for middle age people. There was no way I could be a writer and a teacher at the same time so I thought I'd devote myself to writing. Though I lived near a beautiful beach, the mountains still called me endlessly. I love to ski and ride horses, and there's not much room for either in New Jersey. I made another life-changing decision on the same day I quit teaching: to take a horse pack trip into the Rocky Mountains. Finally, I was going to get close to the beauty that had been in my dreams for years. Jumping on the internet, I found a trip called The Ultimate - five days into the Sangre de Cristo Mountains with a couple of cowboys and a bunch of folks I didn't know.

The pack trip was indeed a dream come true. Leaving out of beautiful Bear Basin Ranch in Westcliffe, we rode for hours each day, deeper into the Sangres, setting camp at night and laughing around the fire. As far from "civilization" as I could imagine, I knew I was exactly where I wanted to be. Besides, I met an extraordinary cowboy named Bob and after years of discouraging relationships I was back in the saddle so to speak.

On the last day of the trip, dirty and weary from five days in the mountains, the clients sat together waiting for a van ride back to the airport.

"Well," one of the guys said, "It's back to the real world."

"No," I replied without hesitation, "This is the real world."

And that, as they say, was that. I returned to New Jersey and put my house on the market. Although I had opened a solo law practice I put away any ideas of venturing back into that arena. I sold everything I owned, down-sized my life completely and started looking for jobs in the outdoor adventure industry in Colorado. My friends thought I was crazy.

"Where will you live? What will you do? What about money? What about the kids?" And on.

My two older sons had left the nest, off to college and work and life. My youngest was in his senior year of high school. He and I lived a peaceful existence but once he was gone, why would I be in New Jersey? Why would I not live the life I had seen in my head for 25 years? There was no reason to stay.

I had a "Pillage My House Party" where I invited my friends and neighbors to bring food and beer and take anything they wanted. They did an admirable job of emptying my house. Real estate at the Jersey shore had gone through the roof and in February I sold my house for multiples of what I'd paid. The Universe was on my side I could tell. I lived with fear, and eager anticipation of what my new life would be like. And then, there was Cowboy Bob.

Bob was the solitary desperado kind of guy, living in a one-room cabin on a 5000 acre horse ranch near Westcliffe. Amazingly, he was also a "recovering lawyer" with three sons and two divorces under his belt, an aspiring writing and lover of the outdoors who could live out of a backpack. That we stumbled upon each other was more than an odd coincidence. Once again, that Big Force at work was bringing me better than expected. But Bob was two thousand miles away, and we settled for an occasional weekly visit, and plenty of phone calls. I still had a son in high school and was not about to abandon my responsibility. Eventually after interacting with my cowboy via long-distance, I realized that I couldn't depend on building a life with Bob, and I bought a tiny condo in Steamboat and accepted a job offer in Estes Park.

Men are funny sometimes. Although I wanted to live in that cabin and work on that ranch Bob was into "rubber band" mode - going back and forth between desire to be with me and the abject fear of getting hurt again. As soon as I started making my plan, though, he suddenly saw the possibilities of a life together. Determined not to make this move for a man, I charted my own course for the summer: To fulfill a lifelong dream, I'd take a three week Outward Bound course, then go backpacking with the Sierra Club in the Snowmass wilderness. I wasn't sure what would happen in the intervening weeks but I knew I'd go to the ranch and see Cowboy Bob. He was pretty irresistible.

On June 19, 2005 - four days after my Joey graduated high school - I packed up my little Honda CRV with my remaining stuff. My best girlfriend Carol had offered to accompany me cross country. We would be Thelma and Louise, it seems, without the sex and violence. Carol is the girl I never was: she can sew curtains and shop. She brought to this venture the steadfast loyalty of the Iowa farm girl she is: all heart, endless work, no complaining. Within three days we had landed in Steamboat, furnished the little condo, and she headed home.

I wandered and ambled about Colorado all summer, loving the Rockies and sleeping outside under a blanket of stars. At 49, I had found my bliss. Between Outward Bound and Sierra Club trips I worked with Bob on the ranch, taking people horseback riding and rock climbing, cooking dinner on a campfire in the mountains. It was a dream come true. By late August, I guess Bob found me irresistible too and we decided to make a go of it. Divested of nearly all those unnecessary earthly possessions, I now live in that 300 square foot cabin with Cowboy Bob. How we manage that is the subject of another article, but we laugh a lot, that's for sure.

For me, the journey from soccer mom to cowgirl was truly the path of least resistance. People ask me how I could "give up everything" to live such a simple life and I tell them that this is the easy part. Living my "other life" was much more difficult, getting up each day to go to a job that made my heart clench, fighting adversaries and my own endless restlessness. Surely that life was much more difficult than waking up to the sound of 60 horses pounding through the meadow on round up while watching the Sangres turn pink in the morning sun. We don't have a TV, running water, or indoor plumbing. It's amazing how little you really need to be totally content. The cabin is warm and full of love. People walk in and feel at home. Bob and I ride horses, or go mountain biking, or hike into the Sangres to find hot springs or a lake. I'm an EMT now, and I volunteer on the local rescue squad. We are expanding our business so that all kinds of folks - from teenage kids to women to old folks - can come out and enjoy life with us.

My kids love to tell people that their mom is a cowgirl but she used to be a lawyer and a teacher and my friends envy the simplicity and freedom I've gained in "losing" everything. As a writer, I feel compelled to share my story and great fortune with others because I believe we all yearn for a deep dream inside us to come true. Who doesn't have the occasional thought of shrugging off the weight of all our "stuff" - things we buy, obligations we acquire - just to wander around like a dog? You know how dogs just sit in the car, staring out the window, breathing in the great smells? This is my life now, the life of a happy pup, wandering around enjoying the beauty of this earth.

You might want to take a page from my book and start investing in your self, that Inner Cowgirl who's stuck in pantyhose or traffic. Dream big, friends, have faith and watch it unfold. Happy trails.


A Mid-Life Transformation - From Soccer Mom to Cowgirl!

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Sunday, November 20, 2011

Trail Guide to the High Sierra Camp Areas of Yosemite National Park

!±8±Trail Guide to the High Sierra Camp Areas of Yosemite National Park

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Trail system of Yosemite National Park. Includes Photographs, Maps, Tree and Fish and Animal Information

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Tuesday, November 15, 2011

Top 10 Most Important Leading Hollywood Actors of All Time

!±8± Top 10 Most Important Leading Hollywood Actors of All Time

By putting together this Top 10 list of most important leading Hollywood actors of all time I have tried to be as objective as possible (for instance my personal favorite actor is Robert Mitchum, who's 10th on this list) by applying the following criteria: the importance of their specific roles, the variety of their oeuvre, their influence on other actors (as far as can be traced) and the directors they worked with. O.K. Let's get started:

10) Robert Mitchum (1917-1997)

Robert Mitchum known for his apparent laconic acting. Besides his excellent performances in the Film-noirs (Crossfire (1947),Out of the Past (1947)) and Westerns (Man With the Gun (1955), Rio Bravo (1959), El Dorado (1966)) of the Fifties he's probably best known for his portrayals of the sadistic psychopaths in Charles Laughton's Night of the Hunter (1955) and in J.L. Thompson's Cape Fear (1961) which were both tangibly sordid performances and among his best. Mitchum saw acting as a profession and considered being a star as a thing of minor importance. When he turned down the leading role in Sam Peckinpah's The Wild Bunch (1969) and instead played a comparable role in Henry Hathaway's 5 Card Stud (1968) as he did in Night of the Hunter, he claimed that both are Westerns.

9) Robert de Niro (1943)

The cooperation between Robert de Niro and his friend and director Martin Scorsese was crucial to the success of both artists. In their first project together Mean Streets (1973), about a group of young adolescents in New York struggling to make a living out of loan-sharking, de Niro (who's educated in the "method acting style") steals the show as the violent and unpredictable Johnny Boy. Their real breakthrough came with Taxi Driver in 1976, in which de Niro played the introverted Vietnam vet Travis Bickle, who roams the streets in his cab, slowly transforming into a horrible avenger on the derailed world he witnesses. De Niro won his second Oscar (The Godfather II (1974), his first as Supporting Actor) for his role as the legendary boxer Jake LaMotta in Raging Bull (after persuading Scorsese to direct the film). His best films of the Nineties are without a doubt Goodfellas (1990) and Heat (1995). In the first De Niro is perfectly cast by Scorsese as the middle-aged Irish hood of considerable ruthlessness and repute who is Ray Liotta's mentor, Jim Conway. In Michael Mann's masterly crime epic Heat he plays the master criminal Neil McGauley cast opposite (for the first time in a film together) to the other movie icon Al Pacino as his cop nemisis. In Quentin Tarantino's Jackie Brown (1997) De Niro underplayed, that way giving his colleagues more space to excel.

8) Burt Lancaster (1913-1994)

Burt Lancaster's film career started in the Forties in the stifling melodrama's of Robert Siodmark (The Killers (1946), Criss Cross (1949). After some "light" films in the early Fifties he returned to the genre of Film-noir in the dark film Sweet Smell of Success (1957) in which he played the cynical and powerful columnist J.J. Hunsecker who destroys his sister's relationship with her boyfriend. Also memorable is his role in Birdman of Alcatraz (1962) and his Oscar winning performance in Elmer Gantry (1960). Lancaster also build an impressive career in Europe where he worked with the Italian directors Luchino Visconti (The Leopard and The Conversation Piece) and Bernardo Bertolucci (1900). His last important role was in Louis Malle's masterpiece Atlantic City U.S.A. (1980)

7) James Stewart (1908-1997)

James Stewart, the long thin man with his famous drawling voice has been an important leading actor for thirty years and a modest and beloved star. His first striking performance was in Mr Smith Goes to Washington (1939) by Frank Capra in which he played a gangly, shy and idealistic senator who exposes corruption. The Fifties has been his most decisive period of his acting career. His startling performances in Anthony Mann's Westerns (they made 5 together) in which he mainly personified grim and cynical men (The Naked Spur (1953) and especially The Man From Laramie (1955)) are diametrically opposite to most of his work before and after this series of films. Stewart made four films with the suspense maestro Alfred Hitchcock. The two finest (for probably both the actor and director) are the magnificently staged Rear Window (1954), with Stewart as the immobilised photographer who has a broken leg and witnesses a murder while looking through his binoculars and the enigmatic and bleak mystery Vertigo (1958) in which he portrayed a neurotic detective who falls in love with his friend's wandering wife whom he has to trail. The old Hollywood star brought a level of neurotic energy to his best roles that few Method actors could match.

6) Montgomery Clift (1920-1966)

"He's a little queer, don't you think so?" John Wayne remarked to his secretary after meeting Montgomery Clift his co-star in Red River (1948). Later, when the film was finished he was won over by the great professionalism of the young "method" actor. When Clift was 15 he already played small professional roles. With his slender stature, thin face and expressive eyes he soon became a romantic hero, especially when persistent rumors arose about a relationship with Elizabeth Taylor. With her he co-starred in three films (A Place in the Sun (1951), Raintree Country (1957) and Suddenly, Last Summer (1959) and they remained friends for the rest of his life. In the Fifties Clift was the most sought after actor but he was very reluctant and critical on the roles he chose. During the production of Raintree Countree Clift had a terrible car accident, which damaged him both physically and emotionally. His life after that has been described as the longest suicide in the history of Hollywood (alcohol and drug addiction). Despite of his addiction he continued acting and had some memorable and heartbreaking performances in Judgment at Nuremberg (1961) and The Misfits (1961). He was nominated for an Academy award four times and died from a heart attack at the young age of 46 years old.

5) Henry Fonda (1905-1982)

Henry Fonda embodied integrity on the screen (and also in his personal life). Almost all the characters he portrayed breathed dignity, from the young farmer leading his family in John Ford's Grapes of Wrath (1940), the drifter Gil carter defending a convict against an excited mob in William Wellman's The Oxbow Incident (1943), Wyatt Earp in My Darling Clementine (1946), the musician Manny Balestrero wrongfully accused of murder in Alfred Hitchock's The Wrong Man (1957) and Juror #8 in Twelve Angry Men (1957). In Sergio Leone's Once Upon a Time in the West (1968) he proofed he also could play a depraved and unscrupulous villain. The only "flaw" in his magnificent acting career is that he very seldomly appeared in comedies while he was known as a humorous man in his personal life. For his portrayal of the grubby retired professor Norman Thayer Jr. in On Golden Pond (1981) he finally won an Oscar.

4) James Dean (1931-1955)

Countless books have been published and films have been released on James Dean, its subjects varying from the man behind the legend, his sexual preferences, his so-called death wish and his role as a symbol of the disillusioned youth. With a legacy of only three films, Dean played characters who embodied loneliness, frustration and anger to whom a young audience (the post war generation) could identify. He was educated in the Method Acting style, like his idol Marlon Brando, and because of his troubled youth (his mother, of whom he was very fond, died when he was 9) he could empathize with his characters very easily. As Dean proofed in his roles as Cal Trask in Elia Kazan's East of Eden (1955) in the emotionally charged scenes when he tries to win his father's (Raymond Massey) respect or as the misunderstood adolescent Jim Stark in Nicolas Ray's Rebel Without a Cause (1955) who forms a 'surrogate family'. In his final role (before his tragic car accident) as Jett Rink in George Steven's epic melodrama Giant (1956) he also showed his capability to play middle-aged men.

3) Humphrey Bogart (1899-1957)

Humphrey Bogart who would become a legend with his roles as the snarling and sardonic P.I.'s Phillip Marlowe and Sam Spade started his acting career in the Twenties on Broadway. He had a breakthrough with his performance in the film The Petrified Forest (he already played in the stage version the year before) in 1936, as the savaged Duke Mantee (inspired by John Dillinger). In the Forties he became one of the most dominating actors in Hollywood with excellent performances in High Sierra (1941), The Maltese Falcon (1941), Casablanca (1942), The Big Sleep (1946), Key Largo (1948), The Treasure of Sierra Madre (1948) and The African Queen (1951). The characters Bogart played late in his career, like Dead Reckoning (1947), In a Lonely Place (1950) and The Harder They Fall (1956) were embittered, self-loathing types, and are his most daring and original work.

2) James Cagney (1899-1986)

The thesis that a film role has to be a projection of the personality of the actor is especially applicable on James Cagney. His ability to portray heroes, sympathetic villains and psychotic egoists with an electrifying energy, is unmatched in the history of cinema. His first leading role in William Wellman's The Public Enemy (1931) as the gangster Tom Powers made him an instant star. In the following years he continued playing gangsters (Angels With Dirty Faces (1938), Roaring Twenties (1939) for the Warner Brothers studio who were known for their gritty and realistic pictures. In 1942 Cagney won the Oscar for Best Actor for his role in the musical Yankee Doodle Dandy which showed his diversity. After the comedy One, Two, Three in 1961 he retreated only to return one more time in the film Ragtime (1981) as the authoritative police chief Waldo.

1) Marlon Brando (1924-2004)

What's so striking about Marlon Brando's impressive career is that he also performed in a lot of superfluous films. The actor, who would heavily influence actors like James Dean, Robert de Niro, Jack Nicholson, Paul Newman and many others, derived his acting method from the Stanislawski system. Brando was one of the first members of The Actors Studio founded by Lee Strasberg and Elia Kazan. With Kazan he made the groundbreaking Streetcar Named Desire (1951), playing the charismatic but violent Ed Kowalski (nominated for the Academy Award for Best Actor) whom he already had portrayed in the Broadway version based on the eponymous book of Tenessee Williams. In the following years his roles in Viva Zapata! (1952), Julius Caesar (1953) and On the Waterfront (1954) were all nominated for the Academy Award for Best Actor (8 times in his whole career) with the latter awarded. In 1961 he directed and played in the eccentric Western One-Eyed Jack's, after Stanley Kubrick retreated from the project, together with his life-time friend Karl Malden. In the Seventies he returned with iconic performances in The Godfather (1972), Last Tango in Paris (1972) and Apocalypse Now (1976). After these films Brando's appearances were short, expensive and permeated by self-deprecation. His last important role was in A Dry White Season (1989), in which he portrayed a human rights attorney who fights against the Apartheid system in South-Africa.


Top 10 Most Important Leading Hollywood Actors of All Time

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